Schedule (Spring 2015)

All readings are due before class on the date they appear below. All assignments (blogs, projects) are due at 11:59pm on the date they appear below, unless otherwise indicated. Schedule is subject to change.


Unit 1: Design & the Everyday

In this first unit, students will learn about basic design principles and the creative process by engaging with their own observations and interactions with the world around them. Through a sequence of readings and exercises, students will be able to identify strong and weak design elements, understand the historical and cultural properties of objects, and translate these design principles to digital media and user interfaces.

Week 1 (Jan 12-16)

Jan 12: 1st day of class

Action Item: Update your email address in zzusis GO TO: Zzusis Main Menu :: My Profile :: Update Personal Information :: Names :: Email Addresses :: Add an Email Address AND/OR click Preferred Address :: SAVE

Mon Topic: Creativity and Play
In-class resources: Tim Brown, “Tales of Creativity and Play” (2008) (video)
Wed Topic: Interaction Design
In-class resources: Bret Victor, “A Brief Rant on the Future of Interaction Design” (2011) (video/web article)
Fri Topic: Design Is Everywhere
In-class resources: MakeShapeChange (video/website)

 Week 2 (Jan 19-23) 

Action item: Submit your WordPress blog URL to me via Google Forms: 9am section ; 10am section

Notice: This semester, you will also have access to the Avery Microcomputer Labs, which includes free academic printing, access to the Adobe Creative Suite (Photoshop, Illustrator, InDesign, etc), and more.

Mon Holiday
Wed Topic: Digital Literacy
Read before class: Douglas Rushkoff, “Introduction” to Program or Be Programmed (2010) (FROM THE BOOK YOU PURCHASED FROM THE BOOKIE!)
Fri HYBRID DAY 1WordPress Tutorial ; Blogging

  • Task 1: Create a WordPress.com site using the WordPress tutorial above. (Tip: when choosing your URL, make decisions about your online identity: do you want to use your real name? is your choice of name / URL professional? Avoid numbers, cougs, and WSU.) Example: Digital Clarissa Dalloway
  • Task 2: Write a sample blog post: introduce yourself and tell us why you are taking DTC 101.
  • Task 3: Submit your URL to Google forms: 9am section ; 10am section

Week 3 (Jan 26-30)

Mon Topic: User Design
Read before class: Explore 52 Weeks of UX (website)
In-class activity: The Wallet Project
Wed Topic: Introduction to Design Principles
Read before class: Don Norman, Ch. 1 in The Design of Everyday Things (2013) (course reader) [password is my last name!]
Fri HYBRID Blog 2: Instruction Signs

  1. Action: Look around on campus for a sign that gives the user written instructions (anything from step-by-step instructions placarded on a vending machine to a handmade sign in a public restroom). Use your camera to take a photograph that you will upload to your blog post.
  2. Reflection: Explore why the sign is needed (consider flaws in the design itself, the consequences of not following the instructions, the possible history of flaws surrounding the object/instructions).
  3. Proposal: How might you use design to eliminate the need for the written sign? And/or how might you edit the existing sign to be more user-friendly?

Week 4 (Feb 2-6)

Mon CLASS CANCELEDTopic: Design and Science Fiction
Read before class: Ray Bradbury, “The Veldt; or, The World the Children Made” (1950) (course reader)
Wed Topic: The Creative Process: How and Why
Read before class: Frank Chimero, Ch. 1 from The Shape of Design (2012) (course reader)
Resources: “Start with Why”; “Weird, or Just Different?”; “Pearls Before Breakfast”; Finding Your Why
Fri HYBRID Blog 3: Is there an app for that?

  1. Action: Imagine a smartphone app that can do the unthinkable (think sci-fi). Describe what it does and how it works. Design at least one image of the app (either by hand or using software) that renders the app in terms of a single page, frame, or icon. Post the image to your blog.
  2. Reflection: Analyze how this app works and why it is important. While it might help to frame your app in terms of marketing (who should buy it and why), try to consider the purpose of this app on an even larger scale: “the app that changed the world.” 

Week 5 (Feb 9-13)

Feb 10: Last day to drop without record

Mon Design Project Activities (based on The Wallet Project activity): To get the most out of our class activity, spend some time working on Section 1 of the Design Project (see instructions). At the very least, you will have chosen which artifact (physical or digital) that you want to examine and redesign. Even better, you will come prepared to ask interview questions and to iterate possible redesigns for your artifact.
Wed NO CLASS MEETING: Sign up for teacher-student conferences (sign-up sheets provided on Monday)
Fri Project 1 DUE by 11:59 pm. 

Unit 2: Data & Information Architecture 

In the second unit, students will be introduced to data culture and collection and the role it plays in a commercial society. They will critically examine the way they currently retrieve information and revise their research methods according to increased knowledge about how databases work.

Week 6 (Feb 16-20)

Mon Holiday
Wed Topic: Introduction to Information Architecture Slides
Read: Rushkoff, “Choice: You May Always Choose None of the Above” (book)
Skim: Clay Shirky, “Ontology Is Overrated: Categories, Links, and Tags” (2005)
Fri HYBRID Blog 4: Hierarchies

  1. Action: Create a classification system for a physical collection of objects in your possession (items in your backpack, fridge, car, desk drawer, etc). The classification systems should contain a hierarchy (see Shirky) of at least 3 levels. Include at least 10 items.
  2. Reflection: Reflect on the decisions you made in creating your system: what decisions did you make based on the types and quantities of items present? Perform a cultural analysis of your classification system: consider race, gender, class (economic / social status), nationality, education-level, etc.  

Week 7 (Feb 23-27)

Mon Read before class: Virginia Woolf, excerpt from Mrs Dalloway (1925)
In-class resources: #oneSecond; How to know if you’re in a Virginia Woolf novel
Wed Topic: Thinking Outside the Box
Read before class: Rushkoff, “Complexity: You Are Never Completely Right” (book)
Fri HYBRID Blog 5: The Complexity of a Moment

  1. Action: Isolate a single public moment or activity in your day that measures no more than a minute (walking into the classroom, waiting in line for food, sitting on the bus, etc). Describe as many sensory and cognitive details as you can imagine and experience (use Woolf for inspiration). This is a creative writing exercise, and so you can also imagine the thoughts and feelings of other people present or imagined.
  2. Reflection: Reflect on the complexity of that moment. What “facts” can you use to objectively characterize that moment? How might that moment be “classified” in the annals of history? Consider what “tags” you might use to label the moment.

Week 8 (Mar 2-6)

Mar 4: Mid-Term Grades due

Mon Read before class: Alexis C. Madrigal, “How Netflix Reverse Engineered Hollywood” (2014)
Wed Stephen Ramsay, “The Hermeneutics of Screwing Around; or What You Do with a Million Books” (2010)
Fri HYBRID Blog 6: A Book in the Library

  1. Action: Visit one of the campus libraries. Find your way to the book stacks. Wander around the stacks until you find a book that interests you enough to want to check it out. Take a picture of the book amid the stacks.
  2. Reflection: How did you arrive at this book, and what did you discover once you found it? How is wandering around the library different from performing a search in the database?

Week 9 (Mar 9-13)

Mon Read before class: Clay Shirky, “Gin, Television, and Social Surplus
In-class resources: Matt Ridley, “When Ideas Have Sex”Why My Cat Is SadCognitive Surplus
Wed No class: Optional student-teacher conferences
Fri DATA PROJECT DUE by 11:59pm on Blackboard

Spring Break (Mar 16-20)

Unit 3: Social Media Storytelling 

In the third unit, students will learn to think critically about the role of social media in contemporary life. Students will access a variety of sources of information, including opposing perspectives on social media, historical perspectives in literature, and contemporary theoretical approaches to social media. The primary goal of this unit is to also put students in face-to-face interaction with campus strangers so that they can critically assess social interactions from a digitally empowered perspective.

Week 10 (Mar 23-27)

Mon Topic: “But the Truth Is: Life Is Being Lived There”: Social Media, Collaboration, and Storytelling

Wed Topic: “Her Horror of Direct Experience Returned”: Disconnection and Science Fiction

Fri  Hybrid Blog 7: Connecting Through Storytelling

    1. Action: Explore projects and contributions connected to the links from Monday’s class (related to Ze Frank ; Humans of New York ; and StoryCorps).
    2. Reflection: Perform a rhetorical analysis of one of the projects and/or stories: focus on HOW the project is constructed. Consider the purpose, the intended audience, the creation process, and the final product. Find its why.
    3. Compare and contrast one of these social media projects with E.M. Forster, “The Machine Stops” (1909)

Week 11 (Mar 30-Apr 3)

Mon Group presentation I: purpose, samples, goals
Groups 1-4 present
Wed Group presentation I: purpose, samples, goals
Groups 5-8 present
Fri Hybrid Blog 8: Individual Connections

  1. Action: You’ve been working with your group on collecting contributions to your Social Media Storytelling Project; now, make a departure from your group and collect 1-2 stories on your own that represent your own perspective, style, and approach.
  2. Reflection: How was working individually different from working with your group? What did you learn that might help your group re-assess, revise, re-imagine its approach to the project?
  3. Include at least one multimedia artifact (photo, video clip, sound clip, etc).

Week 12 (Apr 6-10)

Mon Topic: Digital Time and Place

Wed HYBRID: Work with your group on collecting submissions and assembling your final project presentation. Collect at least 10-15 additional contributions.
Fri HYBRID Blog 9: Always On

  1. Action: Consult this study guide, and use the “Questions for Discussion” and various activities on the pages exploring Rushkoff’s Principle of “Time” and Principle of “Place” to decide which action to take.
  2. Reflection: The best blog posts will take on the more ambitious discussion questions and activities, exploring one concept in depth, while also engaging with ideas from Rushkoff’s books in addition to danah boyd’s ideas on being “always-on.”

Week 13 (Apr 13-17)

Mon Topic: Critical Making

Wed HYBRID: Work with your group on collecting submissions and assembling your final project presentation.
Fri HYBRID Blog 10: Making Is Connecting

  • Select two of the five key principles on “making is connecting” in David Gauntlett’s article to summarize.
  • Apply those two principles to observations you have made while doing your social media storytelling project.

Week 14 (Apr 20-24)

Mon Group presentation II
Groups 5-8 present
Wed Group presentation II
Groups 1-4 present
Fri HYBRID (Submit to Blackboard Learn by 11:59pm): Reflection on BLOGGING 

  • Write a formal letter (use a formal letter template in Microsoft Word, or similar) addressed to your professor that evaluates your blogging this semester (one to two pages, single-spaced).
  • In the main body of your letter, select (and hyperlink to) two blog posts that represent your best content this semester. Analyze and quote from these blog posts to illustrate the breadth and depth of your learning and exploration of Digital Studies this semester.
  • In the conclusion of your letter, self-assign yourself a grade according to the following rubric, offering a brief explanation:

A = excellent effort, on-time submissions, 10 complete posts;
B = good effort, mostly on-time submissions, 9-10 complete posts;
C = adequate effort, some late submissions, 8-9 complete posts;
D = poor effort, many late submissions, 6-7 complete posts

Week 15 (Apr 27-May 1)

May 1: Last day of class

Mon Topic: Reflection on Learning Achievements and Looking Ahead

TUE TUESDAY, APRIL 28: DTC Showcase 3:30-5:30 PM, CUE 202, 203

  • Attend the DTC Project Showcase and Awards Ceremony
  • Interested in becoming a DTC major? Curious to see what kinds of work you can do? Come see 3D animation films, websites, graphic design, games, and more.
  • There will be cake and refreshments!
Fri HYBRID (Submit to Blackboard Learn by 11:59pm): Reflection on Learning Achievements

  • Write a formal letter (use a formal letter template in Microsoft Word, or similar) addressed to your professor that evaluates your learning achievements this semester (two pages, single-spaced).
  • Select 3 examples (from projects, activities, lectures, or readings) to analyze. Be sure to include relevant quotes, screenshots, or summaries from the examples you select.
  • Your objective is to demonstrate what kinds of learning took place this semester and how this learning could be applied to future endeavors. 
  • NOTE: use this space to also demonstrate your level of engagement and participation in the course, as measured by your attendance, contribution to class discussion, observations at the DTC showcase, etc.